Saturday, June 9, 2012

finally KØBENHAVN (that's Copenhagen)

on tuesday afternoon, we returned to Arlanda, stockholm's airport to fly to København. this is the real danish way to spell the town and, if you are Danish, it should sound something like this: Cuban-hown.

try saying it a few times now. it won't be right, because danish is a VERY DIFFICULT LANGUAGE, but it is still fun to try. the hardest part? the sounds that come out of their mouths are nothing like what the words look like on their pages. on top of that, the shape their mouths makes has nothing to do with the sounds that emerge.
VERY MYSTERIOUS.

i lived here on and off during the 90s, teaching and performing the movement form Contact Improvisation with my then-partner, Riccardo Morrison. i have not been in København since 1997 and it is strange and intense to return. some aspects of my history that i did not know were pending, apparently are. meaning, i feel extremely emotional here and have been thrown into a kind of existential free-fall. i keep expecting to see myself, 15 years younger, flying around a corner on a bicycle. as unlikely as that might be, part of me holds her breath, waiting...

meanwhile, i distract myself with light fixtures and surface textures. endlessly fascinating. perhaps the danish are obsessed with light because it is SO ridiculously dark here during the winter and SO ridiculously light here during the summer.

bank overhead artichokes
 

dotty lamps 


planet globe


martin's overhead


paper hanger
 

 
pinpoint light spheres 


church candelabra from below


library overhead beneath skylight


street light suspended over traffic intersection







5 comments:

  1. Love the pictures. Not what one sees elsewhere. If you do see your younger self on a bike, I'd half expect Rod Serling to be weighing in or something.

    ReplyDelete
  2. the sensation of TWILIGHT ZONE is never very far from my consciousness (and a part of my unconscious absolutely lives there). the theme song from the show triggers regularly in my brain along with the theme from Looney Tunes cartoons. together the two form a fantastic score for my life. happy you came by.

    ReplyDelete
  3. I love all the yous of you sis.

    ReplyDelete
  4. Light fixtures from a very different sense of light. The lightness of being a thread linking conscious and unconscious.

    Something of the sense I got from Phillip Glass reading from the score of Satyagraha to the Occupy Wall Street protesters outside where his piece was being performed. Art and life sharply intersecting.

    ReplyDelete
  5. And I love what you wrote trying to tell us what it is like to hear and pronounce Danish.

    ReplyDelete